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Marcaletti, Livio: Il giuramento alla tedesca, ovvero Das Gelübde di Saverio Mercadante (Vienna 1841). In: Maione, Paologiovanni; Caroccia, Antonio (Hg.): Mercadante150. Neapel: Edizioni San Pietro a Majella 2022, S. 459-476.
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Ebel, Caroline: Im Spannungsfeld subjektiver Erwartungen und objektiver Anforderungen. Entwicklungsaufgaben von Musiklehrkräften im Berufseinstieg. In: Die Materialwerkstatt. Zeitschrift für Konzepte und Arbeitsmaterialien für Lehrer*innenbildung (2022), 4 (3), S. 19-27.
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D'Amario, Sara; Ternström, Sten; Goebl, Werner; Bishop, Laura: Impact of singing togetherness and task complexity on choristers’ body motion. In: D'Amario, Sara; Ternström, Sten; Friberg, Anders (Hg.): Proceedings of the Stockholm Music Acoustics Conference 2023 (SMAC'23). Stockholm Music Acoustics Conference 2023. Stockholm, Sweden: Royal Institute of Technology 2023, S. 146-150 [online verfügbar: https://smcnetwork.org/smc2023/SMAC_2023_All_papers.pdf].
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Tschmuck, Peter; Hirzberger, Lukas; Radlherr, Armin; Stini, Sandra; Wlömert, Nils: The Impact of the COVID-19 Pandemic on the Incomes of Freelance Classical Musicians in Austria. In: Morrow, Guy; Tschmuck, Peter; Nordgard, Daniel (Hg.): Rethinking the Music Business. Music Contexts, Rights, Data, and COVID-19. (Music Business Research 5). Heidelberg: Springer International 2022, S. 28-54 [online verfügbar: https://link.springer.com/book/10.1007/978-3-031-09532-0].
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van Walstijn, Maarten; Chatziioannou, Vasileios; Bhanuprakash, Abhiram: Implicit and explicit schemes for energy-stable simulation of string vibrations with collisions: Refinement, analysis, and comparison. In: Journal of Sound and Vibration 569 (2024) S. 1–26 [online verfügbar: https://doi.org/10.1016/j.jsv.2023.117968]..
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Annuß, Evelyn: In the Air: Shell Shock Theatre and Ornamental Girls in Nazi Propaganda. In: Heinrich, Anselm; Simke, Ann-Christine: Dramaturgies of War. Institutional Dramaturgy, Politics, and Conflict in 20th-Century Germany.. Basingstoke: Palgrave Macmillan Cham 2024, S. 195-209. [online verfügbar: https://doi.org/10.1007/978-3-031-39318-1_11]..
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Khittl, Christoph (Hg.) unter Mitarbeit von Markus Hirsch: „In-Musik-sein“ – die musikalische Situation nach Günther Anders. Interdisziplinäre Annäherungen in musikpädagogischer Absicht. (= wiener reihe musikpädagogik, Bd.3). Waxmann: Münster 2022.
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Drazic, Lena: Inclusions/Exclusions: the Field of 'New Music' in Europe and its Boundaries. In: International review of the aesthetics and sociology of music 53 (2022) H. 1, S. 187-206 [online verfügbar: https://www.jstor.org/stable/48689106].
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VanderHart, Chanda; Schebeck, Sonja: Inclusive approaches, shared embodied knowledge, and transgressive experimentation; The Freestyle Orchestra’s journey to Sydney with Ross Edwards’ Maninyas violin concerto. In: Sjøvaag, Jonas (Hg.): Archived Presentations from SAR 2021 conference. internet: Research Catalogue 2022, S. 0-0 [online verfügbar: https://www.researchcatalogue.net/view/1564312/1564295].
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Poske, Christian Friedrich: The Indigenous Historical Trauma of Naga Society and Its Musical Manifestations. In: Musicological Annual 60 (2024). H. 2, S. 81–108 [online verfügbar: https://doi.org/10.4312/mz.60.2.81-108]..